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Lr applies manufacturer’s corrections without any improvement. For what it’s worth I find DxO lens corrections superior. Not an ideal situation, but that’s the way it is until the other companies engineer the needed lens corrections. That’s why (only) Lightroom currently provides lens corrections for the Z50. As far as I know, only Adobe Lightroom has had the advantage of prior access to this data for Nikon Z cameras and lenses, because they made (paid for, I assume) prior arrangements with Nikon. If the DXO staff finds these presets useful I give them permission to use them for any purpose except for sale as a separate plug-in. The attached zip files contains 4 folders, indicated below, containing those presets. Once you apply a preset, you can use the ‘Side-by-side preview’ button in the Top Toolbar to see how your enhancements change the original image. Several PhotoLab users have expressed and interest in FilmPack presets. Choose Image -> Apply Preset then select which preset you’d like to apply to your photo. The downside is that it takes software companies such as DxO and C1 time to reverse engineer the corrections. After you install DxO OpticsPro presets, they are very easy to work with. How to export custom presets and/or recipes. So for instance here I’ve reset the image in photolab and applied the Dxo Standard preset. Recipes, which enable you to quickly apply multiple filters at once, are a feature of Color Efex Pro 4. Hi all, I’ve noticed differences in using a filmpack preset in photolab vs using the same preset in the standalone filmpack app. Presets can be found within Analog Efex Pro 2, HDR Efex Pro 2, and Silver Efex Pro 2. What’s new is that more and more camera companies (not just Nikon) are designing lenses with software correction required, because it allows better image quality as a result. Use presets and recipes to enhance multiple images the same way. If (all) camera companies freely shared their lens correction data this wouldn’t be an issue, but they don’t because of perceived competitive advantage. After a week of experimenting, I’ve switched the default back to standard. Not only does the latter look unnatural, but it also looks un-Olympus-like, defeating my original purpose. See for example this link from a year ago re Nikon Z6. All that changed with PhotoLab 7, in which DxO Style Natural has finally replaced DxO Standard as its default preset. As I tried to say above, it is normal that new camera bodies/lenses are not usually supported right away by software companies (not just DxO, but others such as C1).